I Am Done With Guilt

By Nneka Jackson

is this my birthright
as a black woman
as a black dark skinned woman
as a black dark skinned queer woman
as a black dark skinned queer femme woman
to be tethered to a space of judgment
I’d be rich by now if I collected
all the 2 cents motherfuckers constantly try to fling my way

I wonder if I will ever truly know
what it means to relax my shoulders
what my body is like without tension
I’m fucking over
my stomach tied in knots
anxious about occupying a displeasing space
I don’t need permission but they’ve made it damn near terrifying
to just fucking say NO

EVEN WHEN IT’S THE ONLY THING I WANT TO SAY
EVEN WHEN IT’S THE ONLY THING I FEEL

somehow I am still so anxious
because because because
so many reasons
so many excuses
for why my time shouldn’t be now
lies to justify all of this waiting they’d rather I do
for permission to belong to MYSELF???

I was not born free
every ounce of freedom I reclaimed with bloody
nails
tears
scars
I had to earn each boundary
etch them in my flesh

I am absolutely fed up with this prison of guilt
they only gave me a spoon
rusted bent used
barely a spoon at all

but I’m digging my way the fuck out
I take up all this space on purpose
I need some fucking room to breathe
I need some fucking room

it’s a hard education
learning how to tell people to back the fuck up
Take your foot off my identity
Take your eyes off my SPACE
Take your hands out my pockets!
Take your OPINIONS out my ears

there’s a collective FUCK YOU in my stomach
this is my birthright.

Nneka Jackson

Nneka Jackson is a queer Jamaican legal analyst, creative writer and poet currently living in Los Angeles, CA.

Mónica Cadena

Digital Collage

Microcosm (Digital Collage, 2019)

B.L.O.O.M (Digital Collage, 2019)

My Own Saving Grace (Digital Collage 2019)

Mt. Rushmore c. 2088 (Digital Collage, 2019)


Mónica Cadena

Monica is an Afro-Latinx Oakland based queer artist and movement worker. The former co-founder of Wear Your Voice Magazine, an intersectional feminist magazine centering the voices of Black and Brown queer women, femmes, trans and non-binary people, Monica’s work is heavily influenced by the the resilience of the disaporic community. You can find her at @sacred.alchemist or via her artist page @alchemical.arts.

Emergency

By Ninamarie Ochoa

We still use the terms out of the closet or coming out to describe someone’s announcement of or openness about their queer identity. It strikes me as meaningful because “coming out of the closet” conveys emergence.

Emerge: from the latin ex- meaning “out,” and mergere, which means to “to plunge.” To merge is to be plunged into that which is like you—or that to which you become similar. To emerge is to plunge in reverse; in its earliest form, the word emerge meant “brought into the light.”

“Bring to light”: for facts to become known. “Bring to light”: for light to shine on someone or something. It’s significant that this latter definition bears resemblance to the Spanish phrase dar luz, to give birth.

What does this tell us? “Coming out,” or emergence, signifies both new knowledge and a birth. Coming out indicates an individual’s recognition of or knowledge about their own identity, and it signals the illumination, the coming into the light of knowledge, of others.

To emerge is to plunge in reverse, it is to distinguish oneself from the similarities of others by delineating the boundaries of the self. To plunge in reverse, to un-merge: if the closet is darkness, then it is the darkness of fear, of not knowing, of possibility unfulfilled. To merge is to become like the darkness into which you plunge. But to emerge, to “come out of the closet,” is a stepping into the light. You can become the darkness, but in emergence, you are born as light.

This is the story of my queerness—how I “came out.”

But here’s another word in this linguistic family: emergency.

A girl I love told me once that we come out for straight people. Imagine: a performance of emergence to prove a difference that exposes you to censure, even violence. It’s announcing the drawing of your borders outside expected boundaries, like a reminder that the Chihuahuan Desert occupies both sides of an international border.

Borders and deserts: I was born on a day the desert flooded. Soy una fronterista—ni de aquí, ni de allá.

An emergency: the desert flooding. An emergency: plunging in reverse, trespassing my own borders.

Liminal, from the Latin limen, or “threshold.” When I reach a threshold, is it a doorway or a limit? Is a threshold where you walk in, walk out, kiss hello, goodbye; or is a threshold a tipping point—the moment you say that you’ve had enough?

I saw my students, young people others assumed were women, establish and protect the borders of their own queerness, had heard their stories of being locked in offices and threatened with expulsion until they came out. Locked in, coming out. (Enough.)

I sat, once, supervising a philosophy club meeting while my students discussed stereotypes about all-girl schools.

“Everyone is gay.”
“After four years, you are gay.”

It didn’t take four years, it took two. (Enough.)

A threshold is a proximity. Close to an entrance, to a limit, to emergence.

Emergency: coming out.

The closet is a threshold.

Nine months later, I told my dad that I was queer. Queer, not gay. Queer like curious; queer like strange; queer like the expansive alien landscape of mi frontera. I was sitting on the banks of Lake Michigan backlit by an unnaturally bright dusk. The lights in Indiana were already visible across the water.

The first thing my dad asked me, smilingly, when I came out to him was, “Is that it?” (So casual, so accepting; this elicited a smile.) Later, he asked if this meant I was going to cut my hair off. (My answer was “no.” This, an eye roll.)

My mom refused to speak to me. This was “a phase.” (A frown.) I was “confused.” (A frown.) I didn’t know any better. (A frown.) Had something happened to me? (A frown.)

Only later did I cry. Hysterically, I thought. Hysteria from hystera, Greek for “womb.” That which made me also wounded me: “Her wounds came from the same source as her power.”

My tears tasted hot and salty, like baked earth. Tears that choked me like learning to swim. Tears like a flooding desert.  I was twenty-four. I was at the threshold. I was whole.

This was enough, this was my emergence, an emergency.

Emergence: plunging in reverse makes you visible. You are a manifestation, a spaciousness, a reification.

I’m not speaking in metaphors when I say that I am light.

(Do you realize that we turn refracted light into electricity? So I have only ever experienced my body as light. In my mind, I am the chemicals and electricity traveling between synapses. I am energy coursing across thresholds.)

Both emergence and the closet assume darkness. Darkness like a tomb; darkness like a primordial field of possibility.

“I loved you in the darkness in the center of light.,” but my emergency is lightness.

I witnessed my reflection weeks later.

(A witnessing, not a recognition; I only approach my self asymptotically.)

“Something there is that doesn’t love a wall,” but love was just a chemical reaction cloistered in the darkness of bone and tissue.

I am light and electricity coursing across thresholds, and the voice over the line was waves across space.

“Do you have a plan?”
“Yes.”
“You shouldn’t be alone right now.”

Emergence. An emergency.

Ninamarie Ochoa

Ninamarie is a bruja and high school teacher living on the border. She completed her bachelor's degree in English literature at Oxford University and The University of Texas at Austin, and her master's degree in the humanities at The University of Chicago. She splits her time between El Paso and San Diego. Ninamarie finds joy in heart-to-hearts with her students, the smell of creosote when it rains, and being mimis by 9 PM.

Pride Bath
 

By Max Turk

I am propelled by my sense of identity as a queer, Jewish witch.
— Max Turk

I spend most of my days making products and magic to support self care. Regardless of whose hands these products end up in, I am propelled by my sense of identity as a queer, Jewish witch. I live my life knowing that the political is personal, and in this age of constant news/information inundating our minds and our screens, taking time to care for the self and the community is critical.

This month (and always!) we celebrate and commemorate. We honor all of our elders who were brave enough to stand up to oppression and paved the way before us. We acknowledge how far we’ve come, and how much more we’ve got to do for us ALL to live lives of equity. I’ve always liked rainbows and what they represent- the spectrum of identities and ways we can love. We all carry that inside us, and no amount of rainbow merchandise can match that depth of being.

“Crown Pride” by Max Turk

Self care tips for you this month and always:

  • Celebrate yourself. Look in the mirror give yourself a compliment.

  • Celebrate another. Be vocal about what you love about your peers. Hold hands. Kiss them in the streets.

  • Celebrate your space. Tidy up, enjoy flowers on your bedside table, sit in silence each morning and connect to the ground that holds you each day.

  • Celebrate your psyche. Take time off from screens. Do something fun and creative. Reflect. Consider how far you’ve come, think good thoughts, consider all that you are grateful for. Write what your sorting out about your current state of being in a diary.

  • Celebrate your body. Drink water, drink nice herbal tea. Eat something you’ve been craving. Eat something you know your body would benefit from. Take a bath, or bathe your feet. Rest when you need to. Hug yourself.

  • Celebrate your magic. Write intentions under the new moon, call upon your ancestors and the elements to guide us and protect us as we continue The Work. Cast a circle of protection and love for yourself and your community.

  • Celebrate your community. Lift each-other up. Listen. Push your comfort zones. Donate dollars or volunteer your time to a worthy cause. Accept help from others.


Max Turk found tremendous inspiration in the vast healing capabilities of plants that she encountered through her own travels and life experiences. After becoming a certified herbalist, she started a line of amulet necklaces, quickly followed by herbal remedies such as tincture-based cocktail bitters, salves, and other skin-care products. Her apothecary, Roots & Crowns, uses all locally/ethically sourced ingredients (i.e.: Bee Local Honey, Beeswax, & Propolis; Alchemical Solutions Organic Alcohol). Max is also committed to harvesting many herbs and flowers herself, grateful for what the Pacific Northwest landscape has to offer. Though Roots & Crowns began as a hobby while earning her Masters in Leadership for Sustainability Education at PSU, Max is managing the rapid growth of Roots & Crowns by integrating her academic studies with her intuitive craft. From the positive feedback she has received from customers worldwide, she's inspired to keep creating products that share the holistic aspects of plant healing and flower magic with others, making them accessible, and empowering anyone to try them. Her intention, simply put, is "plant power to the people."

 
ApothecaryFiras Nasr